The magician of early animation: Ladislas Starevich

Saturday, January 31, 2009

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This is a tough one to decide whether he is Lithuanian, Polish or Russian, but I was very happy to find out that the first animated puppet film was made in my native country. Vladislavas Starevičius/Władysław Starewicz/Владислав Старeвич/Ladislas Starevich made the first animation film 'Lucanus Cervus' (1910) using carcasses of dead beetles. If Wikipedia doesn't lie, after emigrating to France he formed a company in the remains of Georges Méliès' old studio. Whether it was Méliès' aura or not, Starevich is hailed as the magician of early animation

This is his 1913 film 'Dragonfly and ant' (Стрекоза и муравей), made after moving to Moscow from Kaunas.



Last year independent production company Era Films (based in Vilnius, Lithuania) made a creative documentary on this magician of early animation 'The Bug Trainer' (ironically, at the time I was writing this post some bug hit Google search and I had to switch to Yahoo for a while). As my previous professor in Vilnius University Skirmantas Valiulis says in the documentary, people used to believe he was training bugs...

Directors: Donatas Ulvydas, Linas Augutis, Marek Skrobecki. Looking forward to see it.

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Utrecht University's Research masters in Media and Performance launch a group research blog

Friday, January 30, 2009

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I am very excited to announce that after a few months of talking along with a few other students I study with in Utrecht, we launched a group research blog Media Mob. Stay tuned.
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How blogging is changing the academia and why I want to see more scholars blogging

Saturday, January 24, 2009

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Most of all I prefer to blog about ... life. The research of one kind or another is slowly creeping into the posts of this blog, again, mostly mish-mashed with daily observations and discoveries. Once again, to quote T. Nelson, we live in the media like fish live in the water... However, I am not going back to blogging my routine - the mention of my blogging preferences is a conscious digression.

A few days ago, as I was walking towards a copy machine in our library (aka an ever continuing building site), I bumped into a student whom I have met during one the seminars I am attending. As far as I remember, she is studying either literature or philosophy. I had mentioned to her previously that along with a few other enthusiasts I launched free movie screenings for Research master students in Utrecht University. She asked me where could she find the information on the films we are watching. 'On the blog', I replied. 'Where?' she inquired. 'On the blog', I repeated again. Judging by the expression on her face I realised that she did not have much to do with blogs until now and, most probably, much encounter should not be expected in the near future. I scribbled the web address in her notebook and told her to look it up.

About two months ago I started spreading a suggestion around other media students I am studying with to start a group research blog on new media. The definitions of the term in this case are not that relevant, but I was thinking that instead of distributing ourselves into the vast plateaus of media (theatre, television, performance) and trying to kill too many birds with one blog we might be better off focusing on the fields where traditional media intersect with the new and where the new media is defining itself.

I must say, I had hard time convincing why we should blog our academic research. Some imagined a research blog as a type of a pin up board, where we would post our papers. In other words, instead of seeing it as a lab where ideas are being born, nurtured, amended and moulded, more than a few imagined it as a digital repository of our final products, be they papers, articles or theses.

One of my greatest discoveries since I started my studies in Utrecht has been the scale of blogging academia (since I was writing different kind of blogs previously, my familiarity with more or less academic blogs was less). On the other hand, one of the greatest disappointments I still encounter is the scale of non-blogging academia. I suppose, the situation is similar to media theorists as Geert Lovink or Matthew Fuller tend to divide them: there are those who converse on new media without bothering to surf, blog, tag and ultimately to log in, and there are those who are in the media - by participating and launching various projects and trying to situate themselves in the current developments of the field as they happen.

'In the nineteenth and twentieth centuries science became too technical and mathematical for the philosophers, or anyone else except a few specialists. Philosophers reduced the scope of their inquiries so much that Wittgenstein, the most famous philosopher of this century, said, 'The sole remaining task of for philosophy is the analysis of language'. (Hawking, 1988) I could not agree with Steven Hawking more. To paraphrase, I could also point out that the developments introduced with the age of personal computer have snowballed the accumulation of information and knowledge. Accordingly, keeping in pace with these developments has become even more demanding, while in my personal belief, keeping the finger on the pulse of the planet we live in is the ultimate task of a scholar.

A blogging scholar - regardless of whether one is a student or a professor with all necessary insignia - in a way is a stripped down scholar. Her postulates might not necessarily be complete and varnished. They might be undercooked and even raw. Underdeveloped like a film roll. Too young like a bottle of wine that was opened too early. However, the beauty of thought lies in its capability to evolve. Watching a movie by a particular director is one thing, but gradually introducing oneself to her whole oeuvre and being able to observe how the vision and the content is developing is completely another. Same applies to music and books, and numerous other forms in which we express our understanding of the world.

Blogging has fundamentally changed our interaction with the internet and each other. Currently, according to Technorati, there are 133 million of them. Which means that almost every tenth Internet user is writing one. Of course, in a way this brings us to the era where potentially we might have more writers than readers.

Nevertheless, I know this is not the case with my university. As far as I know, including me three out of my 14 Media and Performance students blog (I've just unexpectedly discovered one of those three tonight and I am happy as a child who has just crawled into a new playpen). In this case I do not make a distinction between a research and a non-research blog. Either way, blogs ultimately reflect what we contemplate on, discover and experience, while teaching us to put our thoughts into writing.

Blogs are still breaking the waves in my native Lithuania, while research blogs or blogs written by members of academia are particularly scarce. At least among the professors here, in Utrecht, the situation sometimes reminds Norshteynian fog. I hope it clears away gradually. Some professors whose lectures I have attended (luckily, not those I meet and work with on a daily basis) would definitely clear the fog in their heads if they started blogging on a regular basis. Same applies to students.

I would love to see some changes. Information overload? I don't think we have seen it among blogging scholars yet. Bring them on: those unpolished arguments, spontaneous thoughts, unfinished etudes and unrefined paragraphs. The beauty lies in the maturation and the possibility to savour it gradually.
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Lina

Obama photosynth: navigating networked visual spaces

Wednesday, January 21, 2009

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Obama inauguration photosynth



Obama inauguration photosynth


A more interesting take CNN used on Barack Obama's inauguration today (following the now legendary Jessica Yellin's hologram) is a tool developed by Microsoft called Photosynth: thousands and possibly millions of pictures taken in the same place shape a visual 3D space through which you can navigate.

Such networked photographing and publishing of photos might completely change our way of experiencing the visual in the future. (Shame I couldn't download Silverlight on my Mac PowerBook...)

There is a superb talk on that on Ted (scroll to middle of the speech to see the remarkable 3D look of Notre Dame de Paris):



PS once again - yes we did
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A 13-year-old girl sent 14,528 text messages in a month

Monday, January 12, 2009

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In 2007 Kevin Kelly in his talk on TED said that we make 100 billion clicks per day, send 2 milion emails per second and a million instant messages per second. Compared to the Congress Library, which is about 20 terabites, we send 7 terabites of information per second. Bless him for the ability to gather the numbers.

I was chatting with another fellow student a while ago over a cup of coffee and she pointed out an interesting thing on how fragmented our communication has become. Those in their 30s are the generation of the emails, those in their 20s (like me) - instant messaging, while the teenagers are the mobile generation, or the 'thumb generation' as Mizuko Ito calls them. I twittered once asking whether 200 messages a day was a lot and got a confirmation that I am in a bit of a generation gap.

I'm afraid a 13-year-old American Reina Hardesty is has risen the bar: she sent a mind boggling 14,528 text messages in a month (or a message every 2 minutes of every waking hour).

What's fascinating is that another champion in texting is a 16-year-old girl from New Zealand. Is the gender factor a coincidence?
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Tag me and let me be your delicious: Lozano-Hemmer

Sunday, January 11, 2009

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Rafael Lozano-Hemmer's art work has become one of the most refreshing discoveries over the past few weeks.



The above embedded 'Close Up' is an interactive display that reflects the viewer's shadow which in fact consists of hundreds of tiny screens that display previously recorded videos of the people who have recently viewed the piece. Whenever the viewer advances towards the work, the screen starts recording her, instantaneously adding the video to the database that will be watched by the next viewer. In other words, the camera is used to recreate us through those who came before us. The artist calls his work "temporary antimonuments for alien agency", where the tools we mostly associate with surveillance, in this case the camera, are used in order to create an organic entity which would be impossible without the viewers' participation.

Tate Online provides an interesting talk that Lozano-Hemmer gave in 2007.

I came across the artist while researching metadata as I am currently writing a paper on folksonomies. Shame I wasn't among the lucky ones to attend a recent symposium in Goldsmiths ' Force of Metadata'. As Yuk Hui pointed out there, 'metadata is taking over content and changes both the products and mode of production of the web'. In other words, please tag me and let me be your Delicious.
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Announcing: Lina exhibited

Thursday, January 08, 2009

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In a forthcoming book Dutch visual culture theorist Anneke Smelik says that ‘art and popular culture sometimes stride ahead of academia’. The book is Doing Gender in Media, Art, and Culture (Buikema R., Van der Tuin I., eds., To be published by Routledge, 2009). A virtual friend of mine told me sssh about these guys, but I can't help it - Facebook is a bad place to post secrets.


Lina exhibited | MMIX


When I saw my friend's new profile picture on Facebook I thought damn she's famous. It was a bit like this one - yet with her portrait all over the gallery walls. Photofunia allows to visualise your 15 minutes of fame. All one needs is mug shot. What previously was possible to Photoshop prodigies has become networked.

Judging by their LiveJournal blog it seems that the the fun makers from Odessa, Ukraine, as they call themselves are increasing the number of possible styles you can acquire: Surrealism, Macho, God Father, Drag, Warhol, etc...

Photofunia also expresses a loyal admiration to one of the most popular comedians in the post-Soviet plateaus - Yevgeny Petrosyan - he is one of the main faces in the montages (as you might know, the second largest community on LiveJournal is Russian - or more precisely those who write in Russian).

I guess, Warhol once again has been proven right - in the future everyone will be famous for fifteen minutes. And it's documented this time.

PS have you noticed that Roman numerals for 2009 make up the word MIX?
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Lina

,

SNS: we need post-identity and (re)presentation research

Saturday, January 03, 2009

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Looking at the research done on social network sites compiled by danah boyd along with other researchers, it seems to me that two main categories covering the subject are the social aspect (mostly focusing on reconceptualising 'friends' and the extension of our social life onto SNS) and privacy/surveillance issues. Much is also being done on teens - mostly probably due to the fact that MySpace managed to draw significant numbers of them.

I'm currently reading Bruno Latour's The Invisible City and looking at his introduction to Actor-Network-Theory. While the application of Latour in SNS research might bring about some perils (and Latour is warning on keeping a certain distance with social networks as such when looking at ANT), what interests me in his corpus is the questioning of what is social - 'a peculiar movement of re-association and reassembling' 1 (Latour 2005: 7).

It seems to me that with the emergence of social networks much research focused on (re)presentation issues and performing identities, to quote boyd. However, the move most probably was inevitable, particularly with young people building their spaces online, as teen culture is inextricable from identity issues. On the other hand, with the growing age of SNS members (due to their borders expanding and due to teens growing up on SNS), I am wondering which way the research will proceed in the next couple of years. I suppose, much of it will still scrutinise identity issues as SNS have become home to those who might be considered as being on the fringes of the conventional.

Nonetheless, what else is there to SNS besides profile and wall analysis and where is that analysis? It is a question I have been asking myself trying to embark on the research and methodologies that could follow the exponential nature of the Web and evolve along with it. The reason I am questioning this is because it seems to me that much the academic research on SNS comes to conclusions that my 13-year-old niece who is a devotee of Bebo could have explained after a few weeks of hanging out there. If SNS are becoming the extension of our social worlds (or turning into alternative ones - depending on which standpoint you support), we need to broaden our scope. The kids are challenging us.


Latour, B. (2005) Reassembling the Social: An Introduction to Actor-network-theory, Oxford University Press.
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